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The eye sensor, which automatically activates the EVF, is still a little too sensitive in certain situations. My A7r II, which I’ve had for more than a year, is becoming worse, so I decided to set the EVF/LCD switch to the right button on the control wheel so that I could manually switch between the two displays. The LCD panels of the Sony A7S II and Sony A7R II have the same diagonal size of 3 inches as their predecessors. According to user reviews, the device is less prone to overheating while recording for lengthy periods of time. In low light, the Sony a7S II and Sony a7R II vary significantly from one another.

Both the A7R II and the A7S II have been discontinued, however secondhand models of both cameras may still be obtained on eBay from time to time. When it comes to storing image data, both the A7R II and the A7S II write their files to SDXC or Memory Stick PRO Duo cards, depending on the model. Both cameras are compatible with UHS-I cards, which allow for ultra-fast data transmission rates of up to 104 MB/s when using the cards. It is possible to charge the battery packs of both cameras using a USB cable, which may be quite useful while traveling. Unauthorized use and/or copying of this content is strictly forbidden without the explicit and written consent of the blog’s author and/or owner, who can be reached at [email protected].

It is the Sony A7S II that has the lowest number of pixels, with ‘only’ 12.2 million, while it is the Sony A7R II that has the biggest number of pixels, with 42.4 million. Print After a normalization phase, which turns all photos, regardless of their original resolution, to an 8Mpix image, this page provides the print performance measurement numbers and graph produced from a RAW image. A standard 300dpi 8″x12″ format has been used for printing, which corresponds to about the physical size of an 8Mpix picture printed at 100 percent magnification. In general, more color depth is preferable, but you’ll be hard-pressed to spot a difference between two cameras that are separated by less than one bit of variance in color depth. Now, despite its high megapixel count, the a7R II is no slouch when it comes to high-ISO performance.

Rolling shutter has been claimed to be severe on the a7R II, while the a7S II has also been considered to be less than stellar in this regard. It is our goal that you will like these films, and we encourage you to check out the large collection of additional instructive and educational videos available at BandH. You should choose the A7R II over the other two cameras if high detail quality and huge prints are your primary concerns.

However, since the camera is restricted to 8-bit color, Slog3 is not the best gamma mode to use because it causes banding difficulties. Instead, Slog2 is the optimum gamma mode to use. In some ways, the A7 II is a midpoint between the A7S II and the A7R II, but in others, it lags behind both of these cameras. The other two cameras use hybrid autofocus technologies, but the A7 II, for example, relies only on contrast detection for focusing. All three cameras feature full-frame sensors, although each has a different number of pixels than the others.

If you currently work with Sony cameras, it may also serve as an ideal second body for taking still photographs in low light. In addition, a cable protector for the microphone and headphone ports is included in the package, which is essential when shooting video with external equipment attached to the camera while shooting video. The shooting mode dial on the top has an unlock button, and you must push it each time you wish to move the dial, which is very inconvenient and time-consuming.

Both the Sony A7S II and the Sony A7R II are equipped with sensor-based image stabilization, which implies that any lenses used with these cameras will be stabilized. According to CIPA regulations, the A7R II’s built-in image stabilization mechanism is capable of compensating for vibrations up to 4.5 stops in strength. There is one more significant difference between these two cameras that need to be mentioned: the Sony A7R II’s sensor is devoid of an anti-alias (Low-Pass) filter. The removal of the anti-alias filter improves the sharpness and degree of detail, but it also increases the likelihood of moire appearing in certain settings.

Nonetheless, in 4K full-frame mode, where the image is significantly weaker, the a7R II boasts around 50% better rolling shutter performance than its predecessor. In the same way that we did in oura7S II vs. a7S comparison, we went to the test lab and thoroughly analyzed all of the camera’s capabilities. In this review, I’m going to tell you all of the impartial findings as fast and succinctly as possible, and then we’ll come to a conclusion with our suggestion. The appeture is not relevant since both cameras had the same appeture and shutter…the test was to determine the ISO sensitivity of the cameras.

When it comes to color noise, the A7s II has less, but the A7r II has somewhat higher sharpness. Keep in mind that this is without the use of any noise reduction on the Raw files in question. Both shots might look much better if they were processed with a +10 or +15 color noise reduction in Lightroom. The Sony a7S II, on the other hand, could be a good pick if you’re solely interested in video and low-light photography, and a clean picture is crucial to you. The finest quality can only be achieved with full frame lenses, however you do get Slog3 and a relatively acceptable 120 frames per second slow motion.

Jaymes Dempsey is a skilled macro and wildlife photographer from in the Midwest region of the United States. Many of the world’s best photographic sites have featured his in-depth observations on photography and gear, and he continues to contribute to them. Performance of the autofocus system isn’t very impressive, but it isn’t awful either, and you’ll like the smaller size when compared to DSLR competition. The Sony a7S II is an excellent choice for video-centric photographers, since it allows you to record high-quality film even in low light conditions. If you’re a video shooter, you’ll generally want to remain with manual focusing in the vast majority of scenarios.

In this video, Chase Kubasiak from Zacuto examines the video capabilities of the Sony a7S II and a7R II to help you decide which 4K-capable full-frame mirrorless camera is ideal for you. Chase Kubasiak is a video editor at Zacuto. A variety of tests and comparisons are performed on the two cameras during the length of the film, with particular emphasis placed on 4K picture quality, high ISO noise, focusing performance, and rolling shutter. The movie opens with a discussion of the similarities between the two models, which include the usage of the BIONZ X processor, in-body image stabilization with five axes, a 0.78x electronic viewfinder, and the use of the five-axis in-body image stabilization.

Unfortunately, neither body provides anything more advanced than the usual SD, UHS-I card slot seen on most smartphones and tablets. This will be a dealbreaker for some photographers, particularly those who rely on redundancy in their work to be effective. When it comes to handling, the similar designs of these two bodies guarantee that they are both equally comfortable. It is disappointing that there is no touchscreen or back LCD that can be completely articulated. However, both cameras have a sturdy feel to them and have good front grips.

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